Digico SD10

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DiGiCo SD10: Trusted all over the world

The trusted choice of engineers the world over, the SD10 delivers a wealth of flagship features derived from the market-leading SD7, plus substantial audio firepower in a fully-loaded console that has become a mainstay of modern mixing.

Driven by Stealth Digital Processing and floating-point Super FPGA technology, the SD10 packs the power and flexibility to meet even the most demanding requirements. Ease of operation is assured with three banks of 12 motorised faders and one master fader, each with its own high resolution LED bar graph meter. All functions are quick to hand courtesy of the centrally located 15-inch backlit colour-keyed TFT touchscreen.

With the SD10, flexibility comes as standard: recall or save presets on the channel strip; recall or save snapshots using the master screen or simply use the dedicated switches on the surface. Special functions can be assigned and accessed instantly via 40 Smart Key Macros, accessed via four layers of 10 RGB backlit keys.

Under The Hood

With 144 processing channels at 48kHz/96kHz, the SD10 packs the muscle to handle the most challenging of shows.

Standard channel processing across inputs and outputs includes Channel Delay, Single and Multi-Channel Presets, Dual insert points, Hi- and Lo-pass filters @ 24dB/octave, four-band parametric EQ with band curve selection and DiGiCo’s renowned DYN 1 (Compressor, De-esser or Multiband Compressor) and DYN 2 (Gate, Compressor or Ducker).

You will also benefit from 218 Dynamic EQ processors, all of which can be assigned to any input or output channel, delivering dynamic processing over the four standard parametric bands, plus 218 Multiband Compressors and 218 DiGiTuBes.

All channels deliver the same pure signal path and feature set, so no matter how you set up your console, you never lose any resources. Within the master section are 24 gangable 32-band graphic EQs, 24 stereo effects (selectable from a palette of 33), and 24 control groups (VCAs). Using snapshots, engineers can switch between complete configurations at a touch.

In addition, the SD10’s 64 busses can be configured as groups or auxiliary busses, while even more configurability is delivered by a 24 x 24 output matrix, dual solo busses, and a Master buss. Unlike all other digital console manufacturers, you don’t lose Aux or Group Busses when using the Matrix as they are in addition, including the Master buss.

I/O

An abundance of I/O can be found on the rear of the SD10, including eight mic line inputs, eight line outputs, eight mono AES I/O, two MADI connections with redundant cabling connections; and 16 GPI and GPO connections – expandable to 32.

The SD10 also works seamlessly with the DiGiCo SD-Rack, which delivers up to 192kHz high resolution analogue conversion. This opens the door to a wealth of interfacing options and enhanced flexibility: when used with the Optocore interface, up to 14 SD-Racks and five redundant engine consoles can connect to one optical loop for an incredible 1,152 I/O connections (56 inputs and 56 outputs per SD-Rack). That’s enough to comfortably mix a Philharmonic orchestra.

DiGiCo SD10: Trusted all over the world

The trusted choice of engineers the world over, the SD10 delivers a wealth of flagship features derived from the market-leading SD7, plus substantial audio firepower in a fully-loaded console that has become a mainstay of modern mixing.

Driven by Stealth Digital Processing and floating-point Super FPGA technology, the SD10 packs the power and flexibility to meet even the most demanding requirements. Ease of operation is assured with three banks of 12 motorised faders and one master fader, each with its own high resolution LED bar graph meter. All functions are quick to hand courtesy of the centrally located 15-inch backlit colour-keyed TFT touchscreen.

With the SD10, flexibility comes as standard: recall or save presets on the channel strip; recall or save snapshots using the master screen or simply use the dedicated switches on the surface. Special functions can be assigned and accessed instantly via 40 Smart Key Macros, accessed via four layers of 10 RGB backlit keys.

Under The Hood

With 144 processing channels at 48kHz/96kHz, the SD10 packs the muscle to handle the most challenging of shows.

Standard channel processing across inputs and outputs includes Channel Delay, Single and Multi-Channel Presets, Dual insert points, Hi- and Lo-pass filters @ 24dB/octave, four-band parametric EQ with band curve selection and DiGiCo’s renowned DYN 1 (Compressor, De-esser or Multiband Compressor) and DYN 2 (Gate, Compressor or Ducker).

You will also benefit from 218 Dynamic EQ processors, all of which can be assigned to any input or output channel, delivering dynamic processing over the four standard parametric bands, plus 218 Multiband Compressors and 218 DiGiTuBes.

All channels deliver the same pure signal path and feature set, so no matter how you set up your console, you never lose any resources. Within the master section are 24 gangable 32-band graphic EQs, 24 stereo effects (selectable from a palette of 33), and 24 control groups (VCAs). Using snapshots, engineers can switch between complete configurations at a touch.

In addition, the SD10’s 64 busses can be configured as groups or auxiliary busses, while even more configurability is delivered by a 24 x 24 output matrix, dual solo busses, and a Master buss. Unlike all other digital console manufacturers, you don’t lose Aux or Group Busses when using the Matrix as they are in addition, including the Master buss.

I/O

An abundance of I/O can be found on the rear of the SD10, including eight mic line inputs, eight line outputs, eight mono AES I/O, two MADI connections with redundant cabling connections; and 16 GPI and GPO connections – expandable to 32.

The SD10 also works seamlessly with the DiGiCo SD-Rack, which delivers up to 192kHz high resolution analogue conversion. This opens the door to a wealth of interfacing options and enhanced flexibility: when used with the Optocore interface, up to 14 SD-Racks and five redundant engine consoles can connect to one optical loop for an incredible 1,152 I/O connections (56 inputs and 56 outputs per SD-Rack). That’s enough to comfortably mix a Philharmonic orchestra.

Manufactured with a steel chassis for strength and a polycarbonate-overlaid, aluminum work surface for reduced weight, all SD11s feature 12 touch-sensitive moving faders below a 15” touch-sensitive screen, making the SD11 as simple to use at speed as any other DiGiCo console. 16 Microphone preamps, eight line outputs, and two mono AES I/O are provided, in addition to which users have the option to connect a DiGiCo D-Rack to the CAT5E port. This provides a remote I/O rack frame with an additional 32 Microphone inputs and up to 16 outputs. One of the more unusual features for a digital console with the SD11’s small footprint is that it has 12 Flexi Busses, which can be user configured as either mono or stereo. In its maximum configuration, these could be used as 12 stereo mixes – equal to a remarkable 24 busses.

The SD11 features 32 input channels with full processing, eight of which can be configured as full Flexi Channels (32 Flexi channels on the SD11i and SD11B). All inputs have dual mono inputs for fast ‘Main’ and ‘Alt’ channel switching, which are ideal for corporate events where a large number of spare microphones may be required. Standard input channel processing includes channel delay; single and multi channel presets; HPF and LPF, with an industry-leading 24db per octave; four bands of parametric EQ with band curve selection; compressor and gate; moveable insert point and access to all bussing. Standard output channel processing includes output delay; four bands of parametric EQ; filtering; compressor and gate; moveable insert point; groups with buss to buss routing; and Auxes that have direct talk to output with dim control for fast monitor communication.

Specifications

These powerful processors can be assigned to any of the input or output channels, whether they are Mono, stereo or LCR and four units can be allocated as required.
Multi-band compressors are also installed, giving the user extended dynamic control of any input or output channel.
Again, four units (six on the SD11i and SD11B) can be positioned on either input or output channels.
Dynamic EQ provides both expansion and compression on all four bands of the parametric EQ